Of course, that fantasy is all set to a soundtrack of wistful electronic mists and pulsating arpeggios that could be right out of some late ‘70s / early ‘80s synth library, and ultimately shows that whilst technology has advanced in the meantime, that ostensibly archaic music still reflects an underlying eldritch darkness contemporary and relevant to both eras, then and now.ĭemdike Stare prise another absolute gem from Japan’s Shinichi Atobe presenting six tracks of original, previously unreleased material recorded sometime in the last 20 years in Saitama, Japan, perfectly complementing the sublime ambient house zen of his Butterfly Effect album.
Who queso for a more hard-boiled, furtive vibe about anachronistic assassins sent back to kill Nigel Farage at birth, only to uncover that he’s part of an exceedingly dangerous non-human race with ties to Johnson, Cameron and all the other pebble-people, so they round them all up and lock them in a hostel in Middlesbrough with a broken kettle and packet of poisoned monster munch between the lot. It could almost be the soundtrack to a Ben Wheatley flick (low budget, not the over-glossy high rise) about British time travellers, forgoing Dr. Anyway, some really rad stuff in this week, so I won’t keep you…Īt least one leap year cycle since his last album with the GB’s, Sleep Games, right now this one feels like a stygian trudge into bleakest futures, operating at such a stoned pace that it moves slower than actual time, and by submitting to its temporal warp we’re allowed to regress back into a pre-digital epoch of paranoid cold, or even civil war atmospheres and paranoia. Oi! This is a lot later than I had hoped today, but my day went sideways.
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